The Club Fauteuil family mirrors the artistic approach seen in earlier works by Max Jungblut, such as Untitled (Couch), in which the designer negates the primarily practical-oriented functions of furniture and the purely aesthetic forms of the autonomous art object to create an in-between form, or perhaps rather a form that includes both.
Where Untitled (Couch) was characterised by its monumentality and size, the Club Fauteuil family introduces a lightness and ergonomic quality that can be defined as a playful artistic gesture within the existing space of the interior. The organic structure of its lines highlights the way in which light gently interacts and plays with the piece, almost transforming it constantly as the day progresses.
the club madame was exhibited by gana art at tefaf 2016.
The Club Fauteuil family mirrors the artistic approach seen in earlier works by Max Jungblut, such as Untitled (Couch), in which the designer negates the primarily practical-oriented functions of furniture and the purely aesthetic forms of the autonomous art object to create an in-between form, or perhaps rather a form that includes both. Where Untitled…
The Club Fauteuil family mirrors the artistic approach seen in earlier works by Max Jungblut, such as Untitled (Couch), in which the designer negates the primarily practical-oriented functions of furniture and the purely aesthetic forms of the autonomous art object to create an in-between form, or perhaps rather a form that includes both. Where Untitled…
