The creation of The Seedling follows an intuitive method forming its lines and organic shape, using the signature tile-lath structure that has become so characteristic of the pieces by Jungblut. The resulting piece looks monumental, but vulnerable. Both feminine and playful. The finishing of the wood structure reveals some parts being sanded, while others remain untouched. With this, Jungblut seems to again walk the fine balance between the natural and the industrial, between the innate and the man-made.
ShareMAX JUNGBLUT – THE SEEDLING THREE, 2018
MAX JUNGBLUT – THE SEEDLING THREE, 2018
MAX JUNGBLUT – THE SEEDLING THREE, 2018
MAX JUNGBLUT – THE SEEDLING THREE, 2018
MAX JUNGBLUT – THE SEEDLING THREE, 2018
MAX JUNGBLUT – THE SEEDLING THREE, 2018
MAX JUNGBLUT – THE SEEDLING THREE, 2018