Max Jungblut Max Jungblut
  • Work
    • 111% CLUB Polyethylene
    • 104% Club Solid Walnut
    • Double Chaise Longue Solid
    • Double Chaise Longue Aluminium
    • 104% Club So What
    • 104% Club Aluminium
    • 104% Club Solid Wood
    • Double Chaise Longue
    • Searching Club 2.0.4
    • THIS IS NOT A CHAIR TOO
    • LA MAQUETTE 2018
    • SEARCHING CHAISE LOUNGE
    • SEARCHING CLUB 2.0.2
    • SEARCHING CLUB 2.0.1
    • SEARCHING CLUB 2
    • SEARCHING CLUB
    • MY WORLD
    • THE SEEDLING THREE
    • THE SEEDLING
    • LA RENAISSANCE
    • RECONCILIATION
    • CLUB MADAME DEUX
    • CLUB GÉANT
    • CLUB MONSIEUR MMXVII
    • THIS IS NOT A CHAIR
    • CLUB MONSIEUR DEUX
    • CLUB MIGNON
    • CLUB MADAME
    • Club Bébé
    • CLUB MONSIEUR
    • UNTITLED IV
    • COUCH UNTITLED
    • IN & OUTDOOR CHAIRS
    • UNTITLED I
    • CABINET PUSH TO OPEN RAW
    • RANDOM STOOLS
    • THE ENTRANCE
    • TREE STUMP RE-UNITED
    • UNTITLED III
    • SPATIAL OBJECT
    • PUSH TO OPEN CABINET
  • Exhibitions
  • Shop
  • Information
    • News
    • Press
    • COFFEE TABLE BOOK
    • Internships
    • Privacy policy
    • TERMS AND CONDITIONS
  • Contact

THE NEW SOLID WOOD DESIGNS

On the leftside 104% Club solid walnut, on the right you can see the double chaise longue solid pine wood

VIEW NOW

THIS IS NOT A CHAIR TOO

THIS WORK IS ON DISPLAY at Musée d'Ansembourg, Liege, Belgium

VIEW WORK

SEARCHING CLUB SERIES

The 3D robot printed Searching Club 2.0.1 next to the Searching Chaise Lounge titled "Never thought a wooden seat could be so fucking comfortable" and the Searching Club 2 prototype

OPEN WORK OVERVIEW

CLUB MONSIEUR MMXVII

THE 2017 VERSION OF THE CLUB MONSIEUR HAS A POLISHED LAYER OF TRANSPARENT RESIN. THE RESIN LAYER PROVIDES A HIGHER CONTRAST AND A CLEAR COLOR DEFINITION OF THE WOOD. THE RESIN ALSO PROVIDES A PROTECTIVE LAYER AROUND THE WOOD.

VIEW WORK

THE SEEDLING

THE WORK THE SEEDLING PRESENTS ANOTHER STEP IN THE DEVELOPMENT OF MAX JUNGBLUT INTO AN AUTONOMOUS PRACTICE WITH FIGURATIVE FORMS. THIS TIME REPRESENTED BY A SEED.

View work

UNTITLED IV

Untitled IV is a unique piece by Max Jungblut, through which he investigates the relationship between artisanship, nature and interior design. The work follows the principles of the other pieces in the collection, using old tile laths in innovative ways to address, assess and invert their meaning and function. In more than one way, this work can be considered a reflection of the designer’s two-year quest for a new aesthetics in which nature becomes both the resource and the end product of high-end design pieces.

VIEW WORK

THIS IS NOT A CHAIR

EXPLORING THE THIN LINE BETWEEN CONTEMPORARY ART AND DESIGN. WHAT HAPPENS WHEN THE FORM DOESN’T CARE ABOUT THE FUNCTION ANYMORE?

VIEW WORK

LA RENAISSANCE

ALLUDING TO A LEAF, A RAINDROP, A SEED, A WILLOW OR A MOTHER WITH CHILD, THE PIECE TITLED LA RENAISSANCE BY MAX JUNGBLUT REPRESENTS BOTH A CULMINATION OF THE WORKING PROCESS AND PHILOSOPHY OF THE ARTIST, AS WELL AS A RADICAL DEPARTURE AND NEW BEGINNING.

VIEW WORK

CLUB GÉANT

THIS UNRELEASED PIECE CREATED IN 2016 BY MAX JUNGBLUT HAS BEEN WAITING FOR THE MOMENT IT ALL MADE SENCE, THE “NEW” TECHNIQUE WITH EPOXY RESIN LAYERS STARTED IN 2017 WITH THE CLUB MONSIEUR MMXVII. IN 2018 MAX DECIDED IT WAS TIME FOR THIS PICE TO BE PRESENTED TO THE PUBLIC EYE.

VIEW WORK
THE NEW SOLID WOOD DESIGNSTHIS IS NOT A CHAIR TOOSEARCHING CLUB SERIESCLUB MONSIEUR MMXVIITHE SEEDLINGUNTITLED IVTHIS IS NOT A CHAIRLA RENAISSANCECLUB GÉANT
  • Info
  • News
  • Contact