The 3D robot printed Searching Club 2.0.1 next to the Searching Chaise Lounge titled "Never thought a wooden seat could be so fucking comfortable" and the Searching Club 2 prototype
OPEN WORK OVERVIEWTHE 2017 VERSION OF THE CLUB MONSIEUR HAS A POLISHED LAYER OF TRANSPARENT RESIN. THE RESIN LAYER PROVIDES A HIGHER CONTRAST AND A CLEAR COLOR DEFINITION OF THE WOOD. THE RESIN ALSO PROVIDES A PROTECTIVE LAYER AROUND THE WOOD.
VIEW WORKTHE WORK THE SEEDLING PRESENTS ANOTHER STEP IN THE DEVELOPMENT OF MAX JUNGBLUT INTO AN AUTONOMOUS PRACTICE WITH FIGURATIVE FORMS. THIS TIME REPRESENTED BY A SEED.
View workUntitled IV is a unique piece by Max Jungblut, through which he investigates the relationship between artisanship, nature and interior design. The work follows the principles of the other pieces in the collection, using old tile laths in innovative ways to address, assess and invert their meaning and function. In more than one way, this work can be considered a reflection of the designer’s two-year quest for a new aesthetics in which nature becomes both the resource and the end product of high-end design pieces.
VIEW WORKEXPLORING THE THIN LINE BETWEEN CONTEMPORARY ART AND DESIGN. WHAT HAPPENS WHEN THE FORM DOESN’T CARE ABOUT THE FUNCTION ANYMORE?
VIEW WORKALLUDING TO A LEAF, A RAINDROP, A SEED, A WILLOW OR A MOTHER WITH CHILD, THE PIECE TITLED LA RENAISSANCE BY MAX JUNGBLUT REPRESENTS BOTH A CULMINATION OF THE WORKING PROCESS AND PHILOSOPHY OF THE ARTIST, AS WELL AS A RADICAL DEPARTURE AND NEW BEGINNING.
VIEW WORKTHIS UNRELEASED PIECE CREATED IN 2016 BY MAX JUNGBLUT HAS BEEN WAITING FOR THE MOMENT IT ALL MADE SENCE, THE “NEW” TECHNIQUE WITH EPOXY RESIN LAYERS STARTED IN 2017 WITH THE CLUB MONSIEUR MMXVII. IN 2018 MAX DECIDED IT WAS TIME FOR THIS PICE TO BE PRESENTED TO THE PUBLIC EYE.
VIEW WORK